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Ebook Free Portishead's Dummy (33 1/3), by RJ. Wheaton

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Portishead's Dummy (33 1/3), by RJ. Wheaton

Portishead's Dummy (33 1/3), by RJ. Wheaton


Portishead's Dummy (33 1/3), by RJ. Wheaton


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Portishead's Dummy (33 1/3), by RJ. Wheaton

About the Author

RJ Wheaton's writing on music, film, and literature has been published in The Oxford American, DaCapo's Best Music Writing series, and at PopMatters.com, where he is Senior Producer. He currently lives in Toronto.

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Product details

Series: 33 1/3 (Book 85)

Paperback: 248 pages

Publisher: Continuum; 1St Edition edition (October 6, 2011)

Language: English

ISBN-10: 9781441194497

ISBN-13: 978-1441194497

ASIN: 1441194495

Product Dimensions:

4.8 x 0.6 x 6.6 inches

Shipping Weight: 6.4 ounces (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

11 customer reviews

Amazon Best Sellers Rank:

#940,109 in Books (See Top 100 in Books)

I've read quite a few of the 33-1/3 series, and I think this is one of the best entries. It gives a great insight into the making of the album and also positions its creation within the greater musical trends of the time. My one disappointment is that the book presupposes the instance of a single "Bristol Scene" that existed around the time of this album; but the city is also important as home of two other scenes -- that of iconic indie label Sarah Records, and the more experimental sounds of the loose collective of musicians that included Flying Saucer Attack, The Third Eye Foundation, Crescent, Amp, Movietone, and others.

The book insightfully and accurately described the birth of what became "trip-hop", a term often disliked by the bands displaying the Bristol sound. The book offers an excellent history on the making of Portishead's first album, the use of sampling, esoteric synths and guitar sounds, the ideas and obstacles the band had, and the influence their 1st album had on the world. Portishead's use of sampling and their production process was enlightening. Highly recommended.

Not only that, but twice as long as some! It can be a bit starry-eyed and ponderous from time to time, but the greatest praise I can give it is this: I found Dummy to be my least-favourite Portishead record (so sue me, I just love the other two more). This made me reconsider and see Dummy with new eyes. I'd recommend it if it's your first entry in the series, but it may also set the bar too high - especially when crap like the Fear of Music book found their way into the series.

If you love portishead.....GET.THIS.NOW,ITS small and I carry it in my bag. Such great information. I will def buy more of these 331/3 books!Love,

this is one of the longest and best of the 33 1/3 book series - highly recommended to any Portishead fan

Muy interesante

Bought one of these books for each of my family members and one for myself. Thus far all positive reviews.

I'm a huge fan of the 33 1/3 series. True, some are hits, some are misses. RJ Wheaton's exegesis on Portishead's Dummy is absolutely in the former camp.Wheaton artfully weaves background on the album's composition and production with biographical information, all the while making a point to put the album into context - of the times, of its peers, of its genre, of its influences and impact.The best entries in the 33 1/3 series do two things. First, they make you want to listen to nothing but the album under review for at least a week. Second, they elicit a new appreciation for the album, regardless of how well you know it, or how long you've been a fan. Wheaton's take on Dummy accomplishes both.

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